Eternal Destiny

Reviewed by Richard Bunning

November 6, 2014

5 Stars

We reach the top of the climb, having started up the `spiritual’ mountain of Newland’s metaphysical creation in the first book in the Diamond Peak series. Life’s path is never easy for anyone if they are to fulfil their potential, the greater our gifts the more that others’ normally expect us to give. So it is with the heroine, Ariel. In the end, this was not so much of the story of Ariel’s struggle to conquer the blackness threatening her and the lives of those she cared about, but rather about her determination to help the `all’ of humanity. The serpentine Ariel has to destroy is just as binding in landscape we all know as it is on her mythical mountain; a massive peak which seemingly buds from some part of urban Australia. There is a true moral theme, the idea of a saviour, the dream of resetting the clock back on all corrupting evil. This work draws on the powerful allegory of writers like C.S. Lewis, whilst remaining free of his well chiselled, establishment, religious tow.

This is a superb read, in which for me the true peak of creativity was in the all too brief return of Ariel to the `real’ world. In this section we are rewarded by glimpsing the very dark childhood shadows from which Nick, Ariel’s ever closer friend, had to emerge. Of course, the fulfilling of the prophecy was most certainly the summit of excitement. Perhaps the `homecoming’ chapter had a particular resonance for me as it brought to the fore the inventive speculative fiction angle of the book to a degree not seen since the opening chapters of book one.

In my opinion, a perfect rounding of Newland’s `Diamond Peak’ project would be an omnibus addition, an amalgam of all four books in one fat volume. This would allow a huge amount of stripping of retold background and re-established character traits. Going over old ground in each book of the series is so necessary to readers’ understanding in any true serial with a defined `quest’. All four of these books work very well as standalone reads. However, written as one script of perhaps 300,000 words, even if still split into `books’, this could become a modern classic of YA fantasy.