Aberdeen, 1841. Woodcarver John Grant has an unusual new commission - creating a figurehead to feature onstage in the melodramas of a newly-arrived theatre group. Simultaneously, he’s also trying to unravel the mystery of the death of a young woman, whose body has been found in the filth behind the harbour’s fish sheds. His loving relationship with Helen Anderson, which began in The Figurehead, has grown stronger but, despite the fact that they both want to be together, she rejects the restrictions of conventional marriage, in which the woman is effectively the property of the husband. As John works on the figurehead, Helen persuades her father, a rich merchant, to let her get involved in his business, allowing her to challenge yet more conventions of a male-dominated society. The story weaves parallels between the stage fictions, Helen’s business dealings, a sea voyage, stage rehearsals, and John’s investigations. In the end, the mystery death and the romantic dilemma are both resolved, but in unexpected ways.
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Assessed by Awesome Indies
October 26, 2016
Approved
5 Stars
In the port city of Aberdeen, the battered body of a young woman is found in the muck near the wharves. She is unidentified, but from her clothing is definitely not someone who would normally be in such a locale.
John Grant, a ship figurehead carver, is certain that the town’s constable will not do a good job of learning what happened to her, and in his quest for justice takes on the task of investigating her death. At the same time, Helen Anderson, daughter of a prosperous shipping company owner, is seeking to break out of the strictures placed on women of the era, and is pressuring her father to allow her to participate in managing his company. Her quest for liberation is affected by the growing romantic feelings for John.
This story starts off with a sense of heightened tension, as John is awakened to help rescue sailors from a ship that is foundering just offshore, and picks up with the discovery of the dead woman.
The Likeness is actually several stories that proceed on parallel courses, and while John’s investigation and finally solving of the young woman’s death is an important storyline, the main story is John and Helen’s relationship and how they manage to navigate the strict societal conventions of the mid-1800s and maintain their own sense of individuality and freedom.
The author has created a masterful interweave of several stories that come together beautifully at the end with all the mysteries solved and the personal relationships resolved in a most satisfying way. The mores, conventions, sights, sounds, and smells of the era are described so well, I was able to see the story unfolding in my mind like a period movie. The characters are so real, you can hear them, smell their sweat and perfume, and you either like and support them, or you want to take them to a locked room and throttle them mercilessly.
The mark of a great story is that it draws you in so fully that time unfolds without your awareness of it. I started reading this story in mid-morning, and didn’t eat lunch until I’d finished in mid-afternoon. Another is that after reading it you feel that you’ve learned something interesting about a bygone era.
A great story that is more than worthy of the five stars I give it.