Reviewed by Katt Pemble
I don’t really know what to say after finishing The Journeyman… my mind is still whirring around putting things together, rehashing scenes from the start that held hidden meanings that only revealed themselves after you’ve finished the book.
My first thought was around how instantly engaging and interesting the story was, even though it began as a slice-of-life type of story. The first few chapters welcomed the reader into Paul’s world, showed a young man who had struggled through life, had been beaten to the curb time and time again.
Annie and Zach also added to the delightfully well-constructed characters. I especially liked that they were both a bit different from the traditional characters. Zach appeared to be on the spectrum, while Annie is a strong minded, single mother, data analyst and injured war veteran.
Brilliantly different and yet, someone that just about anyone could relate to on some level.
The idea of a purgatory or interim afterlife has been done before, but not with this sort of fantastical element. When the book changes from slice-of-life to The Commons the whole world is turned on its head. This left me a little lost as to what was happening, and while a little disorienting, the fast pace meant you really couldn’t stay focused on that for too long.
This will either encourage the reader to just ‘go with it’ or potentially put them off completely (which is what I’ve seen in a couple of the other reviews). For me, the unanswered questions around what was happening and who all the new people were, was more intriguing than annoying. But I can completely understand how some people would get ‘over it’ quickly.
My biggest criticism, and probably the only one really, is to do with the pace of the book. The action starts at chapter 5, and it does not stop until you read the last line of the book. Now, at times, this works brilliantly. The epic battles and racing through dark tunnels was fantastic at a frantic pace, but normally as a reader you need some slower parts. Parts that allow you to digest what has happened and to form intricate and emotional bonds with the characters; It’s a part that was almost missed because of the frantic pace.
The emotional impact of one of the pivotal sad moments in the story was a mere molehill to me because of my lack of emotional attachment to the characters. The reaction that should have occurred was nowhere to be seen because my level of emotional commitment to the character was still in its infancy. Had there been a few softer, quieter moments with this character, ones to forge emotional bonds with, then I’d probably have been crying like a baby at that climatic scene. I wanted to, I really did.
Are you crying?
This isn’t to say that Michael can’t make the reader care about the characters, because he does. I really felt for little Zach and felt my heart lurch along with Annie’s as she worked her way through the puzzles along her journey, but these scenes were about characters that’d been with me the whole way through the book. I knew something of them, I wanted to read more about them and experience things with them.
When it comes to antagonists, Michael really shone. Mr Brill was insidious in his evilness and yet, still not out and out creepy. There was an intelligence about him and a polished exterior that was somewhat misleading. I also liked his little side-kick Gerald Truitt, he was an interesting character. I can see bigger things for him too.
All in all, this is a fantastic book. One that is well written, flawlessly edited and thoroughly engaging. If you want to try something that’ll get your imagination flowing, pick this book up today, you will not be disappointed.
**Note: I was provided an electronic copy of this book in return for an honest review***