Spirits of Glory is a highly imaginative story set on another planet after the population of half the planet has been whisked away by the Southern Gods, never to be seen again. The author placed the novel in the dystopian genre but since it doesn’t have the repressive society of a dystopian world, it is more correctly post-apocalyptic and since it is about another planet it is also science fiction, yet it is mystery that drives the book. Many of the new breed of Indie books are excitingly cross genre and unique in style, this is one of them.
Spirits of Glory is written in a haunting style about a dreamlike world where spirits and gods are a reality and time fractures at unexpected moments. The imagery of abandoned cities set amongst tracts of barren land is stark and beautiful, and the characters and their relationships are fascinating, leaving the reader with a distinctive flavour that is hard to describe, perhaps something like fine wine.
The Neighbours appeared on the planet Jigsaw soon after the people of the South disappeared. Hawkeye thinks there might be some relationship between the two events, but no one knows where the neighbours live or where they came from and they clearly aren’t human because though human in form their skin comes in a multitude of hues and they have their own language.
For some reason, unknown until the clever ending, a group of Neighbours come to take Hawkeye to the far south where they plan to consult with the Southern Gods. Accompanying them is a group of scavengers, evil minded men whose only desire is to steal the mysterious artefacts left behind after the Disappearance. Their nature contrasts starkly with the purity and tenderness of the Neighbours, and Hawkeye, pretty but a cripple, finds herself dependant on the Neighbours for protection. The tension between the two groups pervades the book and comes to a head at the end.
Throw conversations with strange gods and beautifully described fractures in time into this mix and you have something totally original. If you like something different, read this. I give it 5 stars and a place on the Awesome Indies listing.
This is a cross-genre story that feels like it should be classified somewhere between Doctor Who and Discworld. I’m calling it science fiction rather than fantasy because at one point the ‘magic’ is described as the clever application of the strange effects of quantum mechanics. This is no more outlandish than the Doctor’s TARDIS, although instead of the unlikely time travel of Doctor Who, this story includes travel between our reality and an unlikely alternate dimension.
It’s an interesting place.
This alternate Earth is run as a police state, and our reluctant hero, The Pan of Hamgee, is a Goverment Blacklisted Indivdual. His existence is therefore illegal, and the fact that he has survived as a GBI for five years, which is about four and a half years longer than normal, proves that he is very good at not being caught. This talent comes to the attention of Big Merv, a major crime boss, who recruits him as his new getaway driver. For the Pan of Hamgee, this is good news for two reasons. As a GBI, no legitimate employer will hire him, and Merv’s other option was dumping him in the river – with cement overshoes – but these are details we don’t need to go into here.
This story has flying car chases, a bad guy you love to loath, likable gangsters, and a hero you can really identify with since, like most of us, he’s not terribly heroic – at least not intentionally. He reminds me a bit of Rincewind in Terry Pratchett’s Discworld books. He’s a professional coward whose talent for getting into unintended trouble is only exceeded by his talent for escaping from it. All he wants is a simple, normal life, but the universe seems to have another fate planned for him. The book also has a few laughs, a lot of smiles, and even a bit of political and religious satire. There are far too few books like this. Great characters, interesting setting, humor, and cultural satire, with a genuinely good plot providing a framework holding them together is a hard blend to achieve and an even more difficult one to do well. This book does.
The prose is well executed with just enough description for the reader to visualize the scenes. Backstory, where needed, is integrated seamlessly into the narrative. Dialog is believable and suitable to the characters and to the situation. Grammar, spelling, formatting, and other of technical requirements of the storyteller’s trade that sometimes pose a problem for the independent writer are executed professionally in this book.
It passes my personal 5-star test. In addition to all the basics needed for a well-told tale, it has that something extra that would prompt me to read it again. I enjoyed following the misadventures of The Pan of Hamgee, a likeable sod thrown into an uncomfortable situation in an imaginative world that has certain parallels to our own. I highly recommend it to readers of lighthearted speculative fiction or anyone who may be looking for something a bit different and a lot of fun.
This is a good comic fantasy title off the same sort of humorous planet as writers like Tom Holt, Ben Elton, and Terry Prachett. There is satire and certainly parody, and as with those listed she has the gift of dramatic timing. In other words, MT McGuire is in great, Great British, comic company. The fact that she used to do stand-up comedy doesn’t surprise me a bit.
I’m sure it helps to be a Brit to catch all the clever turns of phrase in this book, but those from once were distant outposts of Britannia will get just as much out of this read; even The ‘us’ should be able to catch the crest of her comic wave.
Of course, if you are not into Peter Cook, John Cleese, Jennifer Saunders, Sandi Toksvig, or MT McGuire Authorholic then you probably won’t like K’Barthan books either. Get a life!
Ravana O’Brien resumes her role as an intrepid teenage heroine in this sequel to Hollow Moon, which ends with… well, to avoid spoilers, let’s just say you should not count your dead villains until you see their desiccated corpses. In this story, the residents of her home inside a recently crippled hollowed-out asteroid have become refuges on Ascension, a nearby planet orbiting Barnard’s Star. They are not entirely welcome. In fact, they are not at all welcome. Ravana, now a student at Newbrum University, is not there, though. Her father believes she is on an archeological dig on the distant and inhospitable planet of Falsafah in the Tau Ceti system, but when the story opens, she finds herself in a hospital with very unlikely nurses, and she has no idea how or why she is there. Thus begins a well-told tale of mysteries, escapes, cyberclones, aliens, spies, spaceships, and giant spiders. It is a hard-to-put-down book.
I found the prose, editing, and formatting for the digital edition above average. Pacing is also good. Although some of the science is highly speculative, it is not outlandish within the context of the story. A little suspension of disbelief is required, but this is YA science fiction, so you expect that. The story is written with an omniscient point of view from the perspective of several characters, although primarily from that of Ravana. I had no trouble following it, and it was clear who was on center stage at all times. I found the characters quite believable, and I would put Ravana ahead of most teenage heroines I’ve seen in recent fiction. She is brave, intelligent, resourceful, and kind to short grey aliens and rude little boys.
YA science fiction has become something of a rarity these days, and it was delightful for me to find some that was so well done. I highly recommend Paw-Prints of the Gods for YA science fiction readers, but I suggest reading Hollow Moon first.
Full Disclosure: I received a promotional digital copy of this book through Awesome Indies.