Lili McIntyre just ended a difficult relationship and is now on a much-needed summer vacation to Melbourne, Australia for a few months. Her aunt Debs welcomes her Down Under and provides her with a chance to clear her head. On the plane, Lili meets Claire, and that new friendship introduces her to more than she dreamed of. Though Claire doesn’t know it, her new boyfriend, Tom, has an enormous secret. The oblivious Claire introduces Lili to Sam, Tom’s close friend. As a natural double-date, Sam and Lili find themselves thrown together and soon discover a growing attraction.
Soon, Lili discovers why Sam and Tom behave so strangely. They are vampires! Suddenly a world of the supernatural opens up to Lili and her heart will lead her to help Sam keep his secret identity and defend the city from conflicts begun in ages past.
Destiny is an enjoyable book with a fun take on the vampire genre, full of characters created with affection and care. Lili’s struggle to determine her future and the pressures from home struck a chord with me. She feels the urgency to decide her future and move forward, although the hugeness of the decision overwhelms her.
The American/Australian crossover made me wonder through the tale about the author’s origins, but I think I know. Some telling word choice clued me in. I loved hearing about life in Melbourne and all the interesting trips the characters took nearby. Though some of Melbourne’s history appears in the book, I would have like to learn more.
I appreciated the potential for the tale to discuss the subject of abuse. I think that young women, especially, need reinforcement that abuse is real, encouragement that they don’t have to endure it, and illustrations of what it really looks like. Plenty of speakers and nonfiction writers share about abuse, but tales of people enduring and overcoming it reach us in a different, sometimes more personal way.
Lili wonders through the tale why she isn’t scared that Sam is a vampire. I know why: it’s because none of the vampires in this book are the slightest bit scary. Romance and good looks trump blood-drinking. Any slip of the teeth is slight and polite to the extent that Claire never once discovers their identity. Even the scenes that should be thrilling and terrifying lose their teeth because of the detached and passive way the author describes them. My take is that the trouble lies in the author’s unwillingness to make the characters suffer. She loves them too much. Any problem is short and quickly resolved without the pain that blood-drinking romantic interests should pose.
Aside from the pressured calm of the tale, I enjoyed the book and look forward to the second book in the trilogy to find the answers to the problems that Lili hasn’t solved yet. Four stars.
Reviewed by Awesome Indies' Assessor
February 12, 2015
Imaginative and allegorical
This sequel to “Deceiver” carries us on a new path with Erickson the now vagrant ex-pirate. The living stone he tried to steal took his sanity and left him with nothing but booze to ease the maddening reality of his own evil. From the town of Pandemonium he becomes caught up unwillingly in the schemes of Razor, a truly evil man and servant of the Minstrel. Awake and fully manifested, the Minstrel now aims to attack the living mountain, Misty, and kill Hope. Razor plays an important role in her attack. On a trail of death and brutality, Erickson follows Razor toward Elysium and up the forbidden face of Misty. Can Mariah save Hope from the Minstrel, Razor, and all the forces the Minstrel has amassed? Will the natives nearby survive the battle? Will Erickson succumb to the evil inside him or rise above and embrace redemption?
I loved how this new approach embraced the character of Erickson. His terrible crimes and fantastic defeat in Deceiver fit the ending of the typical villain, but this book followed him after in a compassionate and truthful look at the vanquished monster. Without excusing any of his evils, Guy showed us Erickson’s broken, twisted heart and the wreck he became once his transgressions led him to utter defeat. I didn’t know what would happen or where Erickson’s journey could lead. The path he took and the changes it made in him captivated my interest and my sympathy.
The previous main characters had only a supporting role, more toward the end of the story this time, but their journey was no less fantastic. Guy surprised me more with how the story would unfold and what the characters would have to face. I began to see the allegory of it more toward the end and understand a bit of what the story represented.
Occasionally, I felt, the plot did wander a bit and lose focus, though not for too long. The light bouncing between characters contributed to my difficulty anticipating where the story meant to go. The ending meandered a bit more than I like, but offered a lot of wrap-up for all the characters.
Redeemer takes an imaginative and allegorical path through a fantastic world of talking beasts, black-hearted villains, destruction, and redemption. I felt both reluctant and satisfied at the end of this fantastic story of the Mountain of Misty.
The world has become a harsh and hopeless place, and the only hope for it lies in the mountain of Misty.
In the forests around Misty live two refugees and their baby girl who will play a key role in the mountain’s plans. Yes, the mountain has plans, along with his unusual friend. The natives who live at the base of the mountain and even the animals will all play a part in the plan, because a terrible creature has invaded their home. With its beautiful, haunting song it will lead them to destruction purely for its own enjoyment. This monster and its unknown plans threaten to destroy the only chance for hope in to return to the world.
Deceiver is a delightfully whimsical story, reminiscent of a Native American folk tale. The vibrant characters drew me in and pulled me through a story that kept me guessing what could possibly happen next. With so many reboots and formulaic novels out there, it is really refreshing to be able to enjoy a story that keeps me wondering.
I especially enjoyed the character of Misty. Seldom have I read about a living mountain and I loved to hear how Guy brought a geological formation to life. And he certainly did!
Aside from a little bit of poetry that worried me a little, this story had everything I could ask for. The story is written as the beginning of a series, not so much a stand-alone story. The ending made me impatient to see how the characters fare after their fantastic adventure, so I am excited to read and review the second book next.
This is a cross-genre story that feels like it should be classified somewhere between Doctor Who and Discworld. I’m calling it science fiction rather than fantasy because at one point the ‘magic’ is described as the clever application of the strange effects of quantum mechanics. This is no more outlandish than the Doctor’s TARDIS, although instead of the unlikely time travel of Doctor Who, this story includes travel between our reality and an unlikely alternate dimension.
It’s an interesting place.
This alternate Earth is run as a police state, and our reluctant hero, The Pan of Hamgee, is a Goverment Blacklisted Indivdual. His existence is therefore illegal, and the fact that he has survived as a GBI for five years, which is about four and a half years longer than normal, proves that he is very good at not being caught. This talent comes to the attention of Big Merv, a major crime boss, who recruits him as his new getaway driver. For the Pan of Hamgee, this is good news for two reasons. As a GBI, no legitimate employer will hire him, and Merv’s other option was dumping him in the river – with cement overshoes – but these are details we don’t need to go into here.
This story has flying car chases, a bad guy you love to loath, likable gangsters, and a hero you can really identify with since, like most of us, he’s not terribly heroic – at least not intentionally. He reminds me a bit of Rincewind in Terry Pratchett’s Discworld books. He’s a professional coward whose talent for getting into unintended trouble is only exceeded by his talent for escaping from it. All he wants is a simple, normal life, but the universe seems to have another fate planned for him. The book also has a few laughs, a lot of smiles, and even a bit of political and religious satire. There are far too few books like this. Great characters, interesting setting, humor, and cultural satire, with a genuinely good plot providing a framework holding them together is a hard blend to achieve and an even more difficult one to do well. This book does.
The prose is well executed with just enough description for the reader to visualize the scenes. Backstory, where needed, is integrated seamlessly into the narrative. Dialog is believable and suitable to the characters and to the situation. Grammar, spelling, formatting, and other of technical requirements of the storyteller’s trade that sometimes pose a problem for the independent writer are executed professionally in this book.
It passes my personal 5-star test. In addition to all the basics needed for a well-told tale, it has that something extra that would prompt me to read it again. I enjoyed following the misadventures of The Pan of Hamgee, a likeable sod thrown into an uncomfortable situation in an imaginative world that has certain parallels to our own. I highly recommend it to readers of lighthearted speculative fiction or anyone who may be looking for something a bit different and a lot of fun.
This is a good comic fantasy title off the same sort of humorous planet as writers like Tom Holt, Ben Elton, and Terry Prachett. There is satire and certainly parody, and as with those listed she has the gift of dramatic timing. In other words, MT McGuire is in great, Great British, comic company. The fact that she used to do stand-up comedy doesn’t surprise me a bit.
I’m sure it helps to be a Brit to catch all the clever turns of phrase in this book, but those from once were distant outposts of Britannia will get just as much out of this read; even The ‘us’ should be able to catch the crest of her comic wave.
Of course, if you are not into Peter Cook, John Cleese, Jennifer Saunders, Sandi Toksvig, or MT McGuire Authorholic then you probably won’t like K’Barthan books either. Get a life!