Reviewed by Richard Bunning
We reach the top of the climb, having started up the `spiritual’ mountain of Newland’s metaphysical creation in the first book in the Diamond Peak series. Life’s path is never easy for anyone if they are to fulfil their potential, the greater our gifts the more that others’ normally expect us to give. So it is with the heroine, Ariel. In the end, this was not so much of the story of Ariel’s struggle to conquer the blackness threatening her and the lives of those she cared about, but rather about her determination to help the `all’ of humanity. The serpentine Ariel has to destroy is just as binding in landscape we all know as it is on her mythical mountain; a massive peak which seemingly buds from some part of urban Australia. There is a true moral theme, the idea of a saviour, the dream of resetting the clock back on all corrupting evil. This work draws on the powerful allegory of writers like C.S. Lewis, whilst remaining free of his well chiselled, establishment, religious tow.
This is a superb read, in which for me the true peak of creativity was in the all too brief return of Ariel to the `real’ world. In this section we are rewarded by glimpsing the very dark childhood shadows from which Nick, Ariel’s ever closer friend, had to emerge. Of course, the fulfilling of the prophecy was most certainly the summit of excitement. Perhaps the `homecoming’ chapter had a particular resonance for me as it brought to the fore the inventive speculative fiction angle of the book to a degree not seen since the opening chapters of book one.
In my opinion, a perfect rounding of Newland’s `Diamond Peak’ project would be an omnibus addition, an amalgam of all four books in one fat volume. This would allow a huge amount of stripping of retold background and re-established character traits. Going over old ground in each book of the series is so necessary to readers’ understanding in any true serial with a defined `quest’. All four of these books work very well as standalone reads. However, written as one script of perhaps 300,000 words, even if still split into `books’, this could become a modern classic of YA fantasy.
Reviewed by Awesome Indies Assessor
July 25, 2013
Demon’s Grip is the third (of four) books in the Diamond Peak series, and it is the best so far, both in terms of the action-packed storyline and the quality of the writing. I had the impression throughout the book that the main characters (Ariel and Nick) had grown up a bit since the previous book. This was probably because they were dealing with issues of greater importance (greed and craving, their developing romance, deceit and honesty and more besides). The emotions of the characters as they struggle with these is very well-portrayed, particularly with regards to addiction.The main story is counterpointed nicely with updates on the predicament of Nadima, Ariel’s mother, who is trapped in the demon’s lair (quite literally, at times, in its grip). The demon in question is developed as an important character in its own right, and the interactions between the demons themselves are quite amusing.It is more than a standard YA fantasy story, though; the characters’ internalisations and dialogue, and the progression of the plot itself, lead the reader to be more contemplative, even meditative, about the emotional issues involved. So it is certainly for readers who want greater depth in a novel.
Overall, a nicely-paced novel, well-written, with memorable characters and the chance, perhaps, to reflect more deeply on life while enjoying the story.
Reviewed by Clive S Johnson
A most exemplary work, a real joy to read. The colour, depth and vitality of both the writing and the narrative is stunningly good: the exploration of motives, outlooks and hopes of the characters quite intoxicating. It ranks as a true work of literary accomplishment.
September 10, 2013
Best novel I’ve read in years
Some books you know are going to be gold seal worthy from very early on, and this was the best metaphysical fiction I’ve ever read. The standard of the prose was excellent, (something for me as a writer to aspire to,) but more than that, the words had insight; they took you somewhere special – outback Australia. True, the physical setting is special, but not only does The Land Beyond Goodbye take you to the weather beaten back blocks of the Northern Territory, it also takes you into the land’s soul, ushered in by the aboriginal magic woman, Rose. One of my favourite lines from Rose is …
White fellah! Always thinkin’ stuff.
The Land Beyond Goodbye is about an English girl (pommie in Aussie lingo) who, as a young woman, spent some time working in an outback pub. Eighteen years have passed since she left and returned to London, but the death of an old friend has called her back. Darcy has left his place to her and she has no idea why? Or does she?
Her return brings back memories, particularly of the men, one in particular. She wonders if he is still around, if they could have had a life together if things had been different. She soon discovers that he’s around, but his life has fallen apart. He killed a man, an accident, of course, a punch up gone wrong, but her old flame, Jamie, spent time inside for manslaughter, and he’d started the fight to protect Jess’s honour. After he came out, he hit the booze big time, threw his life away, they say.
Jess has to go to Darcy’s place to fix up the legalities. Joey worked for Darcy his whole life, but all he gets of the fortune is the house Darcy built for Joey and his wife Sherry. Sherry doesn’t try to hide her hostility and after an argument, Jess, an emotional mess, drives into the bush. The Toyota stops on a road that no one uses and she can’t get it started. She ends up walking, get’s dehydrated, and falls, once, then again. She breaks her shin, thinks she’s going to die, and would have if Rose hadn’t come along and healed her. How? Jess isn’t too sure. It seems like magic, but it can’t be, can it? How could someone like Rose have such healing ability.
Jess is the kind of modern western woman we can all identify with, and the other characters are as well drawn, Rose, as is right for the character in just a few well chosen words. The author writes her as a wise, compassionate person without judgement, and Jess’s time with her cuts through her preconceptions and prejudice in a relatively short space of time.
And then there’s Jamie, Jinjat now; he arrives looking like the alcoholic Jess had been told he’d turned into, but that was a lie, just as, she discovers, her whole life is a lie. Jinjat has been unmade by Rose and her ancestors, stripped of pretensions and made whole. Jess feels stupid around Rose, because Rose says little, but what she does say shows an uncanny perception. At first Jess is repulsed by Jinjat’s appearance, the dirty clothes, the long hair and beard, but the longer she stays in Rose’s bush hut, eating bush tucker, living in the dust, the more her perception changes and she wonders if there could be something between them still.
Rose suggests that Jess needs fixing too. She agrees. Her life seems hollow now, compared to Rose’s wisdom and contentment, her sense of belonging and rightness with the world. But Jess has to go back to her responsibilities when the police are called to look for her. What is she going to do with this property, the mine and the huge amount of cash Darcy left her? But Jess’s time for fixing comes, and it’s no fun, but it works and Jess is remade. Her decision comes not from white fellah thinkin’ but from a place of knowing, made accessible to her by her time with Rose and her meeting with her ancestors, or demons, as Jess considers them.
This is quite simply the best book I have read in a very long time. Beautifully written, it is both an outer and an inner journey, one that captures the beauty and mystery of the outback and the depth of the inner experience that can come from immersing yourself in the rawness and vastness of the landscape, both outer and inner.
On a social level, the author shows clearly the kind of offhanded dismissal that many white Australian’s show for aboriginals, an attitude that arises from an ignorance much greater than that of any unschooled aboriginal. Without romanticizing the aboriginal situation, the story shows how completely we can miss the point. This is primarily a story of transformation and of how inner wealth is more important than outer wealth.
Perhaps the most wonderful thing about the writing is that, in some places, it actually evokes the state referred to, or perhaps it’s just that I know that place where the material things we usually deem important fade into insignificance.
Undoubtedly, 5 stars and a book that everyone should read, especially Australians.
Reviewed by S M Spencer –
Wow, I loved this book. Every bit of it. Highly recommended to anyone interested in Australia’s outback and original people.
Reviewed by Meredith –
This book was fantastic and fully-engrossing! I will definitely be getting more of Ms. Walter’s books after this.
I was a little worried as I began – lately the books that have managed to keep my attention will jump right into some intriguing action to hook the reader at the outset (and, if the author can keep up the pace, it works). This book had a beautifully descriptive yet surreal 3 paragraph prologue at the outset (first two sentences, as a taste: “Pearly pink evening light suffused the land, blurring the edges of the bush. The throb of the electricity generator kept time with her heartbeat and the Outback took possession of her soul.” ) and THEN jumped into some action. I was worried it wouldn’t be plot-driven enough, but my fears were thankfully unfounded.
The story line follows a Brit, Jess, as she returns to the Outback for the first time in the almost 20 years since she lived there in her early twenties to claim an inheritance surprisingly left to her. We follow Jess as she goes back to old haunts, gets reacquainted with friends she hadn’t spoken with again after leaving the first time…the disconnect is painful.
The mystical pieces and storyline are increasingly less distinct pieces as Jess progresses. At the outset, Jess greets everyone with “namaste,” and she is unable to bridge the gaps between herself and former friends. As she tries to flea again, her car breaks down and strands her in the Outback. With the lucky and mystical help of a stranger, Jess is forced to face, and reveal not just to the reader but herself as well, what led her to flea the Outback so long ago.
Will she deal with it or run away yet again?
There is plenty of soul searching and action in this book. The author deftly weaves the plot with beautiful prose, romance, ‘magic’, and some heart wrenching conflicts. It’s fantastic.
I received this book free from Awesome Indies Books in return for an honest review.
Reviewed by Vivian –
Interesting novel. I enjoyed reading about the Aborigines. In the end it comes together and leaves me wanting to find out what happens next.