What do you get when you combine a medical/crime thriller with science fiction/horror? A creepy yet compelling page-turner of a book. Told from multiple points of view, including several characters who are undead but not your stereotypical zombies, Generation takes us into a world of corporate greed, gene manipulation, and people desperate either to live or to die. I can’t attest to the accuracy of the science in Generation, but Knight makes it sound entirely plausible. Anyone who has ever worked in an office will recognize the truth of the politics, even if a character or two carry it to the extreme.
In fact, the villains are one of the few disappointments of the novel. The journalist who discovers a story much bigger than the one he set out to cover, the forensic scientist/teacher focused on her work, the National Enquirer-type journal editor, and other characters are nuanced and ring true. The chief villain, sadly, is the stop-at-nothing type we’ve seen too often. The best, most poignant characters are the undead, each of whom deals with his or her fate the best they can.
The other disappointment is a gratuitous sex scene that leaves the two main characters naked during the climactic (not that kind of climax) scene. The romance between them seems more grafted on than natural, and their sudden falling into bed together unlikely. The author could have sent them to have coffee at her flat and the plot wouldn’t have changed.
Still, the novel worked for me, and I would have given it five stars were it not for the clichéd villain, the unnecessary sex scene, a few info dumps, a couple of typos, and some weird hyphenation. I give it a solid four stars and recommend the book to readers who want a fast-paced story that will stretch their imaginations.