Great book, beautifully written and a perfect read for anyone in the publishing industry. It’s written with a light touch while having a deadly serious plot. The story revolves around murders in the publishing industry and a reporter trying to catch the murderer without the kind of support a detective or PI would have. Highly recommended for authors, publishers and anyone who likes a good mystery. 5 stars!
Wendy Percival’s Blood-Tied is a mystery centered on family origins. Esme Quintin rushes to the hospital where her sister, Elizabeth, lies in a coma after being attacked in a park. Witnesses had seen Elizabeth arguing with a man beforehand. The police return Elizabeth’s locket to Esme, and inside are photos of two strangers. Esme, a researcher with unquenchable curiosity, sets out to discover who they are and who put her sister in hospital. She soon learns that Elizabeth is her adopted sister and Elizabeth’s true origin might have everything to do with the attack.
Percival creates some distinctive characters. Esme intrigues me with her quiet determination and unexplained scar. Polly, an old woman whom Elizabeth had been helping, is altogether believable in her fright and anguish. The villain is a nasty piece of work; anyone involved in a disputed inheritance will recognize his type. Other characters could be more fully developed. Esme’s niece, Gemma, comes off as a sulky whiner whose behavior can be excused only because she’s under stress. The story requires that I care what happens to her, but I don’t.
The plot holds together well but occasionally seems contrived. At times Gemma’s opposition to her aunt appears to have no motive other than creating another complication. The police return Elizabeth’s locket and handbag to her sister, who was most likely attacked and now lies in a comma. Wouldn’t they keep the items as evidence and test them for fingerprints? No, because Esme must find the photos in the locket and the keys inside the bag.
Percival’s prose is economical and unpretentious, and she writes effective dialogue. I just wish she trusted her writing more. She inserts explanations as if afraid readers wouldn’t get the story otherwise. I cringe at statements like this: “For Esme it was the first step on what would prove to be a strange and bewildering journey.” Even though the story has only begun, Percival has done her work well enough that I already suspect that Esme will encounter things strange and bewildering. I don’t have to be told. When Esme goes to interview a witness, Percival writes: “He gave no indication as to whether her second visit in such a short time was an imposition. He received her well enough.” The preliminary summary undermines the drama of the scene that follows.
Quite a few mystery readers ought to enjoy Blood-Tied despite its flaws. The backstory of Elizabeth’s birth family is engrossing, and the story culminates in an exciting scene that won’t distress anyone with graphic violence.
A grisly murder in a sleepy Scottish Borders village opens this debut novel by Janet O’Kane. The body is discovered by a relative newcomer to the village, who has joined the local surgery as a GP.
Doctor Moreland is the central character and the novel, written in the third person, is told from her point of view. However, it is a distant, almost clinical POV, and given that she survives two attempts on her life, is involved in three suspicious deaths, and is just starting a relationship, I would like to have seen some more intimate third person perspective apart from her doubts about her prospective boyfriend.
There is a good range of characters, with many of the supporting ones well portrayed, revealing more about them gradually as the novel progresses. The atmosphere of a small village is well created through the use of dialogue and characterisation.
The plot is not just a whodunit but manages to weave different sub-plots neatly into the main story without being distracting and there are some interesting red herrings and twists. The beginning is paced more slowly to set context, and pauses slightly at times with some minor insignificant detail, but as more is revealed later in the book, the pace picks up considerably, and through a number of red herrings and twists, builds up to an unexpected climax.
Strengths of this book were characterisation, thoughtful plot (and sub-plots), and the way the story played out. A lot of the story was conveyed through dialogue and was well-written and credible. When the immediate action happened it was very good. There were few literal errors.
Recommended to anyone who likes a mystery/crime novel that focuses on thinking, and one that—in its favour—isn’t full of unnecessary gore. It’s a good first novel.