Reviewed by Awesome Indies
November 4, 2014
Dixiane Hallaj is a particular good writer of social/historically placed, politically pointed, drama, both in her creative fiction and as in this case in the writing of Biography augmented with fictional reality. In fact, most biographies contain some invented content, and/or augmented interpretation. There are going to be gaps to fill in any knowledge that reports anything deeper than the bare historic/factual bones.
Hallaj writes, very-broadly speaking, women’s literature, in that central female figures and through them family, are her bread and butter. That shouldn’t deter any but the most misogynistic of male readers. There is plenty of the gritty content and adventure to balance the childcare and dressmaking. This is a lot on female, and male, sensitivities, but certainly very little sentimental. Lola had as psychologically tough a life as most male heroes, and survived an extraordinarily mixed bunch of husbands and other male figures. I may have lost count, but she had certainly buried at least two husbands and saw off another by the time she was thirty. Well, to be accurate, the exes were never conventionally buried.
Hallaj has preserved for history a very informative piece of family/social history. She literally saved important social history from a death bed. This is the history of a very ordinary daughter of gentry, turned extraordinary by the turmoil that swirled through and around her life. Lola saw plenty of the poverties and hardships as well as at least spells of grandeur living. We learn a very great deal about the life experiences of people in Latin America and further afield, between the end of the 19th century and the start of the Great Depression. We leave Lola’s life when she was still hardly middle-aged, by which time she had as much life experience as a half dozen others might achieve in half a dozen centuries. Hallaj has blended biography and real life fiction to create a wonderful memory of her grandmother from her mother’s own words.
The writing is of a very high quality, the script is captivating, and we learn as much about Lola’s times as we would from the very best of historical documentary. What is more, Hallaj seems to be able to paint incredibly detailed pictures without ever seeming to use more than the fewest of words to do so.
Full disclosure: One of my short stories appears in this anthology. This review is about the others.
I did not expect these stories to move me as deeply as they did. Short works often struggle to pack a significant punch in their diminished wordcount, but the pieces contained in this collection rise to the occasion. Some had me on the edge of my seat in suspense. Some brought tears to my eyes with their emotional depth. And some utilized unique writing styles so artfully that they should be studied in literature classes.
Like with any anthology, not everything in this book will appeal to every reader. But the breadth and depth of the writing styles, storylines, and people explored make it deserving of a spot on any avid reader’s shelf.
This is a collection of stories subtitled Last Days and Lost Ways. I received an Advanced Review Copy. It is not the final version. I don’t know if the stories will appear in this order but I found I didn’t really get on with most of those in the first half. The second half of the book picked up for me, but if I hadn’t been reading to review, I might easily have lost interest and abandoned it.
The writing was good. It was the definition of ‘story’ which didn’t click with me in some cases. To me, and I suspect, to many readers, a short story is a complete tale. Some of these read as, or maybe even were, excerpts from some longer work and I didn’t like that. I wanted closure.
The stories I liked best were Pearls, Home late, The Creator, Recipe for a Dinner Party, Standin’ at the Crossroads, Waitin; for the Devil to Show and A Matter of Trust. I enjoyed these stories and the feeling of having savoured a complete experience with them.
As the husband of one of the authors in this anthology, I was given the opportunity to read an advance copy in exchange for an honest review. So, here it is!
I’ve read a few short story anthologies, and this one is definitely the most interesting. The collection is richly diverse in terms of subject matter, national origin and setting, narrative tone, length, and literary style. As I read, I found myself jumping from fantasy to vignette to full plots inspired by true events, and the transition somehow is fluid and seamless rather than jarring or distracting. Awesome Indies has managed to build an enjoyable whole out of various and disparate components!
Among my favorites in the lineup were ‘Clearing the Shed’, ‘Quarantine’, ‘I, Zombie’, ‘Chasing Dreams in the Time Left Over’, ‘Traffic’, ‘Standin’ at the Crossroads, Waitin’ for the Devil to Show’, ‘Home Late’, ‘A Matter of Trust’, ‘Pearls’, and what is likely the stylistic jewel of this collection, ‘Recipe for a Dinner Party’.
This anthology asked me interesting questions, presented me with some of my greatest fears in life, introduced me to new ideas not common in conventionally published shorts, and fed an interest in diverse snippets of literature that I didn’t even know I had.
To sum it up best, I’ll paraphrase one of the author’s descriptions regarding the virtues of the short stories collected in this anthology: The short form gives authors the opportunity to write in ways that couldn’t be sustained for an entire novel.
I recommend reading these shorts–open yourself up to unique experiences from authors all around the world who love writing so much that they publish themselves.
This collection of wonderful stories covers a variety of themes. From satire to thriller to contemporary life and much more. Each story gets your attention and keeps it from start to finish. They are thought provoking, with characters, dialogue and themes that are believable, but sometimes out in the twilight zone, which is what I like. I will be looking for more works by the various authors and follow them in the future. I received this free from Simon Townley for an honest review. Outstanding! Recommend to any and all.
Both emerging and established writers from Europe, the USA, Australia and New Zealand present a peek into the spectacular moments everyday life holds, but with a twist.
The collection opens with a bang with a story by Tahlia Newland. Intriguing to the last paragraph, I was surprised to find it was an excerpt from her newest project. It sits perfectly as a short story and a wonderful teaser into what looks to be an exciting premise.
Each story has an incredible depth and texture to them, that, although is specific to its own style, melds beautifully as a collection. The human condition is explored where the reader is challenged to reassess their perspectives on stereotypes and events. Post apocalyptic tales sit comfortably with personalised stories like fragmented memories; separate, but with a golden thread holding them together. Heart-wrenching, whimsical, tear-jerking and lighthearted there is a story to suit all moods and readers tastes.
It is difficult to chose a favourite story, with a wrestling loving gran meeting her idol, to emotional trials of marriages breaking apart or forming, futuristic zombies and maids from a gentler time.
Authors are recognised in their own right with multiple honours and prizes and although the anthology is an eclectic mixture of genre, reading one after the other only highlights the complexity and intrigue each story brings.
A great book to stash into someones Christmas stocking for some fireside holiday reading, Awesome Allshorts is set to be a winner in your readers life.
This is a deep, rich, poignant and profoundly humanistic book. It is also one of the best “political” books I have ever read.
The central thesis, a family that could be any one’s neighbours anywhere of Earth, except that they are struggling against the crush of a “foreign” military occupation, living between Jerusalem and Ramallah, is brilliantly constructed.
Whilst telling one extended family’s story Hallaj very cleverly keeps the reader linked to the massive historical waves convulsing the nowadays lands of Abraham. The chosen device, the start of chapter historic, headline, quote, works very well.
Hallaj is a very good reader of the mind set of others. Her characters are totally believable, and her understanding of the issues facing now stateless people walking their own ancestors’ lands seems to me to be sharp and profound. Politicians who really care for the pursuit of peace should read this book, whatever side of the wicked divide birth or conviction puts them on.
My only gripe is that Hallaj is far too soft on the terrors on both sides of the story. For me the time for soft kicks, for common sense to find solutions, ended with the death of Ben Gurion, a long life far too short. But then again, if ever peace is to come and it can only come through peaceful means then this book may well be a cathartic part of the build. No antagonists can justifiably claim that this read is too hurtful of their sensibilities. For those such as me, distant from the issues, this is a fiction that I feel accurately reflects a continuing truth. Whilst it is only too easy for me to say the words that this book boils in me, I fully acknowledge that if I had been born to either side I would likely be a thorn rather than a peacemaker. Only extraordinarily brave people will ever change things, but I’m sure the humanitarian values portrayed in books like this are a modest but valuable step. We all have mothers.