The First Noble Truth

First Noble Truth, The
Machiko Yamamoto pulls out her hair, picks at her skin, and triple checks the locks to the house behind the school where she works. When a foreigner moves into a neighboring thatched roof cottage, she quickly falls in love with the quiet woman with the mangled hand.   Machiko Yamamoto pulls out her hair, picks at her skin, and triple checks the locks to the house behind the school where she works. When a foreigner moves into a neighboring thatched roof cottage, she quickly falls in love with the quiet woman with the mangled hand. Krista Black does not mind the weekly visits from the local English teacher. The scarred woman seems harmless, but she always wants to talk about travel and language and why Krista has come to the remote, Japanese village. Krista avoids her questions. She has seen much of the world, and she knows what it does to fragile people. Machiko may want to know her, but she could never understand her. Set in Kyoto, New England, Africa and Kathmandu, The First Noble Truth is a story of redemption, interwoven between two protagonists, across two cultures. It peers beneath the comfort of expected storytelling to investigate the dualities of suffering and joy, religion and sex, and cruelty and kindness.

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1 Review

  1. Reviewed by Awesome Indies’ Assessor

    September 29, 2014

    An illuminating tale beautifully told
    The First Noble Truth is a tale told in the voices of two women. The author has made the interesting choice of giving us one voice in first person and the other in third person. Counterintuitively, I found the third person voice the more intimate of the two.

    Krista, in first person, relates the circumstances of her life with some detachment; Machiko’s story is immersive, full of rich detail. Krista’s suffering is caused by large events—by loss, by grief; Machiko’s by the small injustices of daily life. Krista’s story is grim; Machiko’s is heartbreaking.

    Krista and Machiko are very different from each other in superficial ways—race, nationality, family—yet the life of each woman is curtailed by suffering. Krista’s suffering prompts her to become an eternal vagabond, while Machiko’s affliction keeps her close to home, but each woman endures the loneliness imposed by her suffering, and in the end, it is the recognition of their shared experience that allows them to truly encounter each other.

    What makes this book extraordinary is the power of the writing. It builds the worlds of these two women little by little, a piece at a time, until the reader finds herself woven into the fabric of the story, until the reader discovers herself in the lives of two strangers. This is a book that will change you.

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