Little Rabbit

Little Rabbit
Published: May 19, 2016
Absinthe and drugs at a vampire wake. Tensions are running high at the Winslow house party, and as the past is dragged out into the night, accusations begin to draw venom. The vampire marshals are already in town. Drawn by the scent of suspicious deaths and asking uncomfortable questions. Which means Eloise Winslow has to walk a dangerous line. One where she works to act like everything is normal while she covers up the brutal murder she has just committed.

 

1 Review

    4 Stars

    This is an intriguing story, with a strong plot and compelling characters. It revolves around Eloise Winslow, a vampire who has lived in America since colonial times when she, her sisters and their friend Crow were ‘turned’ on Dark Day. Imprisoned in a silver mine for murdering her sister, Tabitha, Eloise is given a chance for early release if she will provide the details of the crime, and agree to work with the Vampire Marshals.

    Little Rabbit by Barb Ettridge is a slightly different take on the vampire story. Part fantasy-thriller, part mystery, and part romance, it shows the ‘human’ side of vampires—human weaknesses in a near-immortal shell.

    The way the story starts with Crow, a Vampire Marshal, offering Eloise release more than seventy years before completion of her sentence, if only she’ll provide details surrounding her murder of Tabitha, her older sister—also a vampire. In addition, she must agree to work with the marshals after her release. This forces Eloise to come to grips with things in her past she would rather forget—if only she could.

    The first chapter shows Eloise’s reluctance to dig up the pain of the past, but she chafes about being held by the power of the silver in the mine to sap her strength. The narrative then transitions immediately to the events leading up to her sister’s demise, and this is where the real strength of the story lies. The author does a fantastic job of letting the speech and actions of characters show us their motivations. By the middle section of the book, the reader feels—at least this reader did—an intimate association with Eloise, and in-depth understanding of the characters who revolve around her.

    Told entirely from Eloise’s point of view, the suspense is electric as Crow comes closer to solving Tabitha’s murder. Crow’s love for Eloise is also clear, as is her affection for him, leaving the reader to wonder until very near the end if Crow will be able to fulfil his duty. Even though the opening chapter makes it clear that Eloise was caught and punished, we do not know the agency of that punishment until near the end.

    The setting was probably the weakest part of the story. We know where we are, a small town in New England, not far from Boston. But, other than knowing the approximate date when Eloise and the others were ‘turned’ to vampires, we can’t be sure when the events in the story take place. There are some popular culture references that hint at late twentieth century, but it’s never made clear. The geographical setting, descriptions of the town and its environs, is great, and adds to the dark tone of the story.

    A great job of showing rather than telling. The British (or Australian) spellings and grammar stick out, especially as the story is set in America, which wouldn’t be an issue if it had been set in colonial times, when one can assume that colonial Americans still retained English forms, but it was a bit unsettling at the outset. The story is so compelling, though, that by the one-third mark, I no longer paid spelling or unique non-US constructions much mind.

    I give this book a solid four stars.

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